http://www.ratingacademy.com.tr/ojs/index.php/arts/issue/feed JOURNAL OF ARTS 2018-08-07T12:31:15+03:00 Evren KARAYEL GÖKKAYA arts@ratingacademy.com.tr Open Journal Systems <p style="text-align: justify;"><strong><em>Journal of Arts</em></strong>&nbsp;<em><strong>(E-ISSN&nbsp;2636-7718 &amp; Doi Prefix: 10.31566)&nbsp;</strong></em>is an<strong>&nbsp;international refereed journal</strong>&nbsp;which started to be published in April 2018. &nbsp;The journal aims to include works in different art fields. In this framework, high quality theoretical and applied articles are going to be published. The views and works of artists, academicians, researchers and professionals working in all fileds of arts are brought together. The articles in the journal is published&nbsp; 4 times a year;&nbsp;<em><strong>WINTER (January), SPRING (April), Summer (July), AUTUMN (October)</strong>.&nbsp;Journal of Arts&nbsp;is a&nbsp;<strong>&nbsp;free of charge, electronic and open access</strong>&nbsp;journal.&nbsp;</em>The<span class="apple-converted-space">&nbsp;</span><a href="http://www.doidestek.com/"><strong>DOI number</strong></a><span class="apple-converted-space">&nbsp;(<em><strong>Doi Prefix: </strong></em><strong>10.31566</strong>)&nbsp;</span>is assigned to all the articles published in the journal.</p> <p>&nbsp;</p> http://www.ratingacademy.com.tr/ojs/index.php/arts/article/view/397 ENVIRONMENTAL ART AND CERAMIC APPLICATIONS 2018-08-07T02:19:19+03:00 Yeşim ZÜMRÜT zumrutyesim@gmail.com <p><em>Within the scope of Environmental Art of which first samples were put out in 1960s, projects have been produced in many venues that can be defined as ‘the whole environment we can think of around us’ like nature, galleries, gardens, sea, river… The purpose is to warn the society dramatically which is getting insensitive to nature day by day and to make people see, think and redirect to nature. Works produced or performances have reached the audience through photographs, video recordings, sketches and posters. Many projects have served this purpose in the right way and environmentally safely, sensitive artworks have been put out. But it is also possible to see examples contradicting their starting point and being the problem themselves while trying to raise awareness about environmental problems. These negative examples prepared the grounds for different approaches and trends coming after them.</em></p> <p><em>Within the scope of this study, some of ceramic applications approach to environmental done under the upper title of Environmental Art will be studied considering the artist, the material, method and the message it conveys.</em></p> 2018-07-31T00:00:00+03:00 ##submission.copyrightStatement## http://www.ratingacademy.com.tr/ojs/index.php/arts/article/view/396 THE RELATION OF MASTER AND APPRENTICE IN ART OF PAINTING AND ITS PLACE IN TURKISH ART EDUCATION 2018-08-07T12:31:15+03:00 İsmail TETİKÇİ ismailtetikci@gmail.com <p><em>Painting art continued during learning phase with different methods such as learning from a master, watching the master or experiencing; But it has always with a similar system. Rubens, from Renaissance masters; Van Dyck, from Rubens; Jacques Louis from David Antique; After the 19th century, artists interacted extensively with each other or with the past using similar or opposite methods. On the Turkish art of painting towards western understanding, there are important influences such as Realism, Impressionism, Cubism, and the masters in these understandings. In this study, by examples of outstanding workshops and artists in the history of painting, it is emphasized that how and in what way the artists are influenced by masters and contemporaries and the reflection of this effect on art and arts education. In the direction of this goal, similar or separate methods of Turkish Painting were tried to be considered. With such an evaluation, it is aimed to shed light on today's art education and methods by focusing on past art education or learning.</em></p> 2018-07-31T00:00:00+03:00 ##submission.copyrightStatement## http://www.ratingacademy.com.tr/ojs/index.php/arts/article/view/448 POLITICAL IMAGE IN THE CONTEXT OF ART AND POLITICS RELATIONSHIP 2018-08-07T02:19:20+03:00 F. Deniz KORKMAZ fdenizkorkmaz@gmail.com Hakan ARIKAN hakanarikan35arikan@gmail.com <p><em>The relationship between art and politics has existed in almost every period of human history.&nbsp;The rate of this interaction has varied according to the socio-economic, political and cultural factors in the societies.&nbsp;Particularly in periods when societies have undergone change and transformation and politics has been felt to a significant extent, artists have been more influenced by these processes and have given wide coverage more political images and traces to their work.&nbsp;This effect has changed the purpose and expectations of art sometimes, and sometimes it has inspired significant transformations in structure of art by growing stronger. As art transformed by the influences of politics, it has also become one of the political actors in active periods, and has become one of the elements shaping the society. This mutual interaction makes possible to observe the political influences on a significant part of the artworks reached so far. In this respect, the artist also makes a testimony to his period with his original and aesthetic expression.</em></p> <p><em>In this article, which examines the relationship between art and politics, different approaches of philosophers have become important arguments of study.&nbsp;The ideational part of the text is based on modernist approaches, Marxist understanding and Adorno philosophy. In addition to this, the artworks in the art history were examined and political elements were analyzed.</em></p> 2018-07-31T00:00:00+03:00 ##submission.copyrightStatement## http://www.ratingacademy.com.tr/ojs/index.php/arts/article/view/394 A GENDER-BASED ANALYSIS OF TEXTILE AS AN ALTERNATIVE MATERIAL IN MODERN ART AND THE CONDITIONS RELATED TO ITS TRANSFORMATION FROM HANDICRAFT TO ART 2018-08-07T02:28:14+03:00 Serpil KAPAR serpilkapar@comu.edu.tr <p><em>Today, fibrous materials, industrial or manmade, made from textile and its raw material which have met basic human needs for thousands of years, provide many artists with creative production opportunities in an artistic sense. Thanks to different cultures' reflections in the world, textile appeal to artists' search for a wide range of techniques and methods. With weaving, knitting, and felting or practices whereby natural and artificial fibers are collectively used, textile production tradition exists as a discipline that draw global cultures together. Works which include fiber arts are being curiously viewed in many artistic activities such as art galleries, biennials, and art fairs. Because textile manufacturing styles are closely associated with “woman”, it has taken a very long time for it to be valued in the artistic milieu. But in recent years, the number of artists who have started to use textile as a tool has increased, especially in Europe. The purpose of this paper is to indicate that artist suffering from “plastic” concern can render artistic production with different techniques and materials.</em></p> <p><strong><em>&nbsp;Keywords</em></strong><em>: Identification, Fiber, Textile Art, Handicraft, Art.</em></p> 2018-07-31T00:00:00+03:00 ##submission.copyrightStatement##